Fantasy author Charles Saunders wrote a lot of essays about REH in the Sword-and-Sorcery boom years of the 1970s, but this week on his blog he presents one that for whatever reason never made it into print at that time. It concerns a subject as dear to his heart as it was to REH’s: boxing. Titled “Ringside at Cross Plains,” it should make for a fine bit of Sunday reading for all of you Cimmerians out there.
Fellow blogger Brian Murphy has indicated wanting to hear more about the part of my bio that reads: “he broke into the fantasy critical world in the gamer’s magazine Sorceror’s Apprentice, with an essay on Karl Edward Wagner’s Kane which ultimately prompted the author to correct his own previous statements about the character’s chronology.”
So this is for him, and hopefully some others will be interested. Sorceror’s Apprentice #3 (Summer 1979) had the Trout Kane essay (which dealt with the interesting aspects of the character) along with a first stab at the chronology.
This was the story listing, which took the clues from the stories regarding the status of Carsultyal, the Habros Serranthon Empire’s rise and fall, and other clues.
Undertow
Two Suns Setting
BLOODSTONE
The Dark Muse
Sing a Last Song of Valdese
Lynortis Reprise
DARK CRUSADE
Reflections for the Winter of my Soul
Cold Light
Mirage
Raven’s Eyrie
DARKNESS WEAVES
Spacing in time is, of course, wildly varied — sometimes years, sometimes decades, mostly centuries and sometimes many many centuries, but for the most part obscure. There are really only a few that you can nail down.
So, oddly, the first book published is the last Kane novel to read. Karl noted in his remarks that “The Other One” is the last of the short stories, placing it just before DARKNESS WEAVES. I had probably not located a copy of that story yet.
With “Misericorde” four years in the future, obviously it’s not in the list, and I don’t know that I’ve ever tried to place it, though I think Joe Marek or Dale Rippke may have. Both have added on to my work, though I don’t think either of their versions are currently available.
In an afternote to my article, Karl asserted all the story collections were chronological within each book, which would move “Raven’s Eyrie” back to right after “The Dark Muse” and I guess he knew best on that one. But it would also reverse the positions of “Lynortis Reprise” and “Sing a Last Song of Valdese”; which is impossible according to the internal evidence, and I wrote him and told him so and why. So then he remembered that he had preferred to have the closing line of “Valdese” be the closing line of the book, and so had switched them.
In his letter admitting he was wrong, he said my point was “well-made and correct” and he appointed me “Kane Chronologist 1st class, with all privileges and obligations attendant on that rank.” I ran this letter in REHupa #40, but otherwise its been little-known.
John Mayer made a comment a while back on the Wagner Yahoo group that Karl didn’t really want the readers to know the chronology, so they wouldn’t be sure whether Kane would survive a particular adventure or not. Apparently, he never expected anyone to notice the switch.
Brian adds: Thanks for sharing, Steve. You’ve achieved your own small piece of heroic fantasy immortality.
There is no literary work, to me, half as zestful as rewriting history in the guise of fiction. Every page of history teems with dramas that should be put on paper . . . — Robert E. Howard
Apparently Paul Kearney has a similar outlook when it comes to rewriting history, since his latest book, The Ten Thousand (Solaris, 2008), is a retelling of historical events. More specifically it is the Anabasis of Xenophon, the story of a large mercenary army recruited to fight in Persia around 450 BC, and then left to fight their way home, transplanted to a fantasy world.
On Kearney’s fictional world of Kuf, mankind shares the planet with two other humanoid species, the tall, yellow-eyed and gold-skinned Kufr and the yeti-like Qaf. The Kufr have the world-spanning Empire, and stand in for the Persians. The humans have a smaller continent to the West, and are called Macht. They are clearly Greco-Roman in culture, war-like, with city-states fighting amongst the ruins of a fabled empire of their own.
As you might expect from a story based on history, there is little magic or fantasy aside from the setting. The Macht have some magical armor, supposedly derived from their gods, but that is about it.
Some critics have compared Kearney to David Gemmell, but I think they are worlds apart. In a Gemmell book, virtue will always triumph, if at a cost. In Kearney’s work it is far less easy to tell where the virtue lies, let alone if it will win. The Macht mercenaries in this book, for example, are our protagonists, but they have come to a peaceful land for the express purpose of waging war on behalf of a usurper. When he dies in battle, the mercenaries try to broker a truce so that they can return home, but the emperor wants nothing but their destruction and treacherously assassinates the generals sent as ambassadors. It’s almost like Howard remarked about one of his Crusader stories, “all the characters complete scoundrels, and everybody double-crossing everybody else.” Well, not quite. Some of the characters have a sense of honor, insofar as their lives make it possible.
I did not like this book as much as I enjoyed The Monarchies of God series, but it was well worth the time. Recommended for readers who enjoy the military fantasies of Glen Cook or David Drake.
Interestingly, I learned the 1979 cult favorite movie The Warriors was also loosely based on the Anabasis, and director Walter Hill wanted to have the audience be aware of its Greek roots, but the executives said no. A remake is in the works, as if we needed one.
This is the last chapter of the story. To recap, Charles Saunders wrote last month:
I’m going to try something new at CharlesSaundersWriter.com. My next four blogs are going to be a serialized story entitled “Luendi.”
“Luendi” is one of my vintage short stories, written at the same time I was working on the first Imaro stories. That would be the early 1970s. It was one of the few stories I’d written that was not set in Nyumbani, or some other, unnamed fantasy version of Africa. But it wasn’t exactly modern mainstream, either. Its setting is the Southern Africa of the late 1800s, around the time the Zimbabwe ruins were first discovered by Europeans. I did have something of an agenda when I wrote this, as I was a strong opponent of apartheid. So, I thought I would get one back — symbolically speaking — against the colonists and settlers of that time.
The story was published in the September 1977 issue of The Diversifier, a popular small-press magazine of the time. Times have changed a lot since then, bit I hope “Luendi” still has some resonance after all these years.
It will debut on Friday, May 1 and the next three installments will appear on May 8, May 15, & May 22.
If you haven’t yet, head on over to Charles’ website and read the whole story. And remember that Charles’ revised edition of Imaro III: The Trail of Bohu is now available here.
I would suppose that everyone who is interested in the new “Star Trek” movie has seen it by now, so I won’t worry about spoilers. A long time ago, Fritz Leiber wrote a story — “Try and Change the Past” (Amazing Science Fiction, March 1958) — postulating that the space-time continuum resists change. If a time traveler alters the past, the future may be slightly changed, but soon the future finds its way to the former norm. “Star Trek” reminds me very much of this story; while the intrusion of a Romulan from the future changes the history of the galaxy in some major ways, by the end of the movie most of the crew of the Enterprise have found their way to the positions and characters that we know from ST:TOS.
First of these history alterations is the destruction of a starship commanded by James Kirk’s father. We see the fatherless Kirk grow up as a juvenile delinquent; him stealing and wrecking his step-father’s classic car is our introduction to the character. Next he is seen hanging out in a bar, hitting on the lovely cadet Uhura and getting in a fight. There is a James Dean rebel quality in Kirk 2.0, or to quote from Ted Anthony’s perceptive AP review:
[Chris] Pine’s Kirk is Shatner’s on Red Bull and vodka — rebellious and sarcastic, vaguely felonious, tragically hip, soaked in irony and maybe a bit ADD. He leaps, then — maybe — looks.
I found the scene where Kirk overcomes the Kobayashi Maru no-win scenario particularly highlights this aspect, as Kirk doesn’t even pretend not to be cheating. And somehow I suspect, egalitarian future and all, that if this Kirk had been raised by his father he would, like the 60’s Kirk, prefer blondes.
Ted Anthony paints Kirk as an iconic American character, born of the New Frontier but true heir of the old one, having a dual nature, exuberant and impetuous, yet serious and intelligent; “hawk and dove, humble and arrogant, futurist and traditionalist — and in the most American duality of all, childlike and completely adult.”
That last duality brings Breckinridge Elkins to mind, somehow.
Frontier scholar Richard Slotkin weighs in comparing Kirk with the persona George Bush tried to mould for himself, the “compassionate conservative” — but notes Kirk’s “right-wing style” is actually controlled by his “ingrained progressivism.”
Chris Pine and Zachary Quinto (Spock) are well-cast as the young leads, which really helps. Add in a strong story which, from the get-go, allows the writers freedom to stray from the massive weight of Star Trek lore, a powerful villian played with dire scowls by Eric Bana, great effects and plenty of action and you have a film that should captivate old fans and new alike.
Sometime in the late 1970s, the Rev. Jonathan Bacon (a one-time member of REHupa) came up with a fairly cool idea. Bacon was the editor of Fantasy Crossroads, a Howard-centric fanzine. Through Glenn Lord, Bacon had acquired the Robert E. Howard fragment, “Genseric’s Fifth-Born Son” (the title derives from Lord, as far as I can ascertain), a part of the “James Allison” series of reincarnation tales. Bacon thought it would be interesting to bring together many of the active fantasy authors at that time and have them “complete” Howard’s fragment in a round-robin fashion. Robert E. Howard himself had participated in something similar when he wrote a chapter for “The Challenge From Beyond,” a round-robin tale published by the fanzine Fantasy Magazine in late 1935. In some ways, Bacon was just following a trail that REH had helped blaze. However, he chose to discard the Lord title for the fragment as a title for the entire work, deciding upon Ghor, Kin-Slayer as being a better designation.
A more complete account of how Bacon strove to get all chapters of the collaboration he envisioned published is told elsewhere. It suffices to say that only twelve out of seventeen chapters ever saw print in Fantasy Crossroads, the last being in January of 1979.
Jonathan Bacon then dropped off the map. However, Glenn Lord still retained a complete manuscript of all seventeen chapters. Nearly twenty years later, March Michaud of Necronomicon Press, learning of the complete manuscript, decided that he would publish the entire round-robin tale. Utilizing the editing talents of Rusty Burke, Michaud got Ghor, Kin-Slayer published in August, 1997. I received my copy in early 1998.
Ghor, Kin-Slayer is a chimerical beast, no way around it. The contributors to the tale range from Karl Edward Wagner and Charles R. Saunders to A. E. Van Vogt and Marion Zimmer Bradley. I intend to examine the whole story on a chapter-by-chapter basis. For those of you who tend toward spoiler-phobia, I suggest you stop reading right about now.
To recap, Charles Saunders wrote last week:
I’m going to try something new at CharlesSaundersWriter.com. My next four blogs are going to be a serialized story entitled “Luendi.”
“Luendi” is one of my vintage short stories, written at the same time I was working on the first Imaro stories. That would be the early 1970s. It was one of the few stories I’d written that was not set in Nyumbani, or some other, unnamed fantasy version of Africa. But it wasn’t exactly modern mainstream, either. Its setting is the Southern Africa of the late 1800s, around the time the Zimbabwe ruins were first discovered by Europeans. I did have something of an agenda when I wrote this, as I was a strong opponent of apartheid. So, I thought I would get one back — symbolically speaking — against the colonists and settlers of that time.
The story was published in the September 1977 issue of The Diversifier, a popular small-press magazine of the time. Times have changed a lot since then, bit I hope “Luendi” still has some resonance after all these years.
It will debut on Friday, May 1 and the next three installments will appear on May 8, May 15, & May 22.
Sounds like fun, I’ll be reading with interest. And remember that Charles’ revised edition of Imaro III: The Trail of Bohu is now available here.
Anthologies of sword-and-sorcery stories have always been thin on the ground. Credit must be given to L. Sprague de Camp for getting things rolling with collections like The Spell of Seven. In the ’70s, Lin Carter moved the concept forward with his “The Year’s Best Fantasy Stories” (DAW) anthologies. One can argue that ol’ Linwood was not much of a writer, but I would categorically state that the man had taste as an editor. He gave authors like Charles R. Saunders and Adrian Cole some of their first breaks. I recommend picking up every volume in the series edited by Carter. Don’t bother with the Saha-edited books.
Coincident with the closing days of Lin’s run, Zebra Books fired up a rival series called “Swords Against Darkness”, edited by Andrew J. Offutt. Like Carter, Offutt could be viewed as no great shakes in the authorial department, but his editorial acumen was similarly keen. David Drake, [redacted] and other worthies made the jump to paperbacks (and greater things) in the several volumes of the “SAD” series. In addition, Manly Wade Wellman’s “Kardios” series finally saw print. Once again, highly recommended. The quality was satisfactorily high from book to book.
The rest of the 1980s and 1990s deserve little mention and slight regard when it comes to S&S anthologies that published rising talents. One notable exception was Asprin’s “Thieves’ World” series. Robert Adams’ “Barbarians” books contained a few new gems. Wagner’s “Echoes of Valor” series was dedicated exclusively to republishing lost treasures from the pulp era, most notably the first ever printing of “The Black Stranger.”
Once we found out (some more pleased than others) that the “Y2K” thing wasn’t going to send us all into the depths of a “new Dark Age” (as HPL might say), the odds for fresh S&S anthologies seemed as grim as ever. Then the Robert E. Howard Del Reys hit the stands and sword-and-sorcery looked to have a fighting chance in the book marketplace. Pitch Black Books jumped into the fray with Lords of Swords and Sages and Swords, both worthy collections. However, general (and shameful) indifference on the part of sword-and-sorcery fans seems to have sounded the death knell for that particular series.
Which brings us to Return of the Sword: An Anthology of Heroic Adventure from Rogue Blades Entertainment. Featuring a stirring cover from Johnney Perkins and edited by Jason M. Waltz, this trade paperback is the newest claimant to enter the battle-circle once dominated in days of yore by DAW and Zebra.
We live in halcyon days, my friends. Sure, there’s a global “economic downturn” grinding all and sundry ‘neath its leaden wheels and there is a possible influenza pandemic looming (or “lowering,” as REH might say), but we aficionados of the works of Robert E. Howard and John Ronald Reuel Tolkien have much to celebrate in the many coming months, gloom n’ doom notwithstanding.
Firstly, there is The Legend of Sigurd and Gudrun by JRRT, which is being released on May 5th. The dearly departed Steve Tompkins gave us (or, at least, myself) a much-appreciated heads-up on this project. At 384 pages, this volume outstrips the recent The Children of Hurin in pagination, though only time will tell whether it does the same in its quality of story-telling. Considering Tolkien’s deep investment in the mythic ‘Nordic’ North (far deeper than Howard’s, I would argue), I have high and lofty hopes for this publication. The dark and bloody Volsungasaga, forged in the depths of the Germanic Dark Ages, was always a well-spring of inspiration for Tollers.
Coming in October from the Library of America is the Peter Straub-edited, American Fantastic Tales: Terror and the Uncanny from Poe to the Pulps. Nestled like a blasphemous, obsidian jewel amongst tales from Robert W. Chambers and Clark Ashton Smith (and, of course, Poe) is Robert E. Howard’s seminal Lovecraftian yarn, “The Black Stone.” Inclusion of a Howard story in a Library of America publication is always a provocation for (at least minor) rejoicing. I have Bill Thom (of Howard Works and Coming Attractions fame) to thank for this welcome news.
REHupan Frank Coffman has his much-anticipated Robert E. Howard: Selected Poems volume (in cooperation with the Robert E. Howard Foundation) slated for a release to coincide with the 2009 Howard Days. Considering the “poetry” theme for this year’s commemoration, Coffman’s is a most fitting book, one which complements the recently published A Word From the Outer Dark (Project Pride), along with The Collected Poetry of Robert E. Howard. A banner year for REH poetry fanatics. (Continue reading this post)
Just received the following announcement:
I’m going to try something new at CharlesSaundersWriter.com. My next four blogs are going to be a serialized story entitled “Luendi.”
“Luendi” is one of my vintage short stories, written at the same time I was working on the first Imaro stories. That would be the early 1970s. It was one of the few stories I’d written that was not set in Nyumbani, or some other, unnamed fantasy version of Africa. But it wasn’t exactly modern mainstream, either. Its setting is the Southern Africa of the late 1800s, around the time the Zimbabwe ruins were first discovered by Europeans. I did have something of an agenda when I wrote this, as I was a strong opponent of apartheid. So, I thought I would get one back — symbolically speaking — against the colonists and settlers of that time.
The story was published in the September 1977 issue of The Diversifier, a popular small-press magazine of the time. Times have changed a lot since then, bit I hope “Luendi” still has some resonance after all these years.
It will debut on Friday, May 1 and the next three installments will appear on May 8, May 15, & May 22.
Sounds like fun, I’ll be reading with interest. And remember that Charles’ revised edition of Imaro III: The Trail of Bohu is now available here.
