As mentioned a few weeks ago, bookseller (and REH fan) Terry McVicker is giving special consideration to readers of The Cimmerian in regard to the new deluxe edition of Conan of Cimmeria, Volume Three. Here’s an update from Terry:

CONAN 3 has just arrived and I am much relieved and delighted to inform “The Brotherhood” that the book is absolutely beautiful, and a perfect match for the previous two volumes – in all its states! Last call at the in-print price of $225 (California residents must add $18 Sales Tax, Shipping & Insurance included). I am not trying to intimidate anyone, but the book is nearly out-of-print and if you want a copy I will hold on Layaway for “Cimmerian” readers at $50, even if the book goes out-of-print.

As Mr. McVicker notes, time is running out. Anyone who wishes to complete their set better act now. As always, Terry can be reached here:

My, how time flies. It seems just the other day that I became aware of Grognardia, the fine site owned and operated by James Maliszewski. Suddenly, I find that Grognardia is celebrating its second anniversary and that the industrious Mr. M has cranked out thirteen hundred and nineteen posts in those seven hundred and thirty-one days. As a fellow bloviator, I can testify such is no mean feat.

As I’ve noted before, Grognardia is not just for those who enjoy old-school RPGs. James’ “Pulp Fantasy Library” series of reviews should be read by any fan of the sub-genre. His most recent review (and one of his best) looks at REH’s own “Dark” Agnes de Chastillon. You can see [redacted]’s comments below the review.

Happy birthday, Grognardia.

In welcome news, TC just learned that Charles R. Saunders has a fresh blog entry posted at Drums of Nyumbani, his website. The title of this post is “The First Ghana.” Much like his article, “The Epoch of Kush,” this piece by Saunders explores the rich history of sub-Saharan Africa. Another similarity betwixt the two is that both were written during the ’70s by CRS for one of the fantasy/S&S fanzines that proliferated during that decade. Fear not, Saunders’ scholarship still holds up.

Mr. Saunders reveals the history of the first Ghana (modern-day Ghana shares little but a name with its namesake). Called Aoukar by its own people, the kingdom was given its common name by Arab chroniclers, who derived it from one of the titles of the Ghanaian ruler (a situation similar to the one in which the “Inca” empire received its name from the Spanish). Reaching its height in the eleventh century AD, Ghana was a veritable sub-Saharan Klondike, exporting gold to Europe and Asia. Such riches invited envy and aggression. Eventually, Ghana succumbed.

Medieval Ghana was very likely the source of the name which REH bestowed upon the “Ghanatas” seen in the unfinished Conan yarn referred to as “The Tombalku Fragment.” Serious students of Conan the Cimmerian might also recall that he wielded a “Ghanata knife” when infiltrating black-walled Khemi in The Hour of the Dragon. Clues left by REH point to the Hyborian Age Ghanatas being a tribe situated somewhere betwixt Stygia and Tombalku, and that said tribe had notable iron-working skills. All things considered, that matches up fairly well with the Ghanatas’ (probable) historical inspiration.

I’ve been studying sub-Saharan Africa for more than twenty-five years and CRS’ post still taught me a few things. As I stated earlier, Saunders’ scholarship (like his fiction) has stood the test of time.

The Cimmerian wasn’t the only site that paid tribute to the legacy of Steve Tompkins today.  Not by a long shot.

Damon Sasser had a post up bright and early this morning at his REH: Two-Gun Raconteur site entitled “One Year Gone, One Year Missed.”

Over at Jim & Ruth Keegan’s Two-Gun Blog, the two gave props to Mr. Tompkins in their essay, “Remembering Steve.”

This afternoon, Morgan Holmes reminisced about Tompk in “Corporate Deathburger” at the REHupa blog.

Finally, Mr. Sasser posted a fine wrap-up of the day’s testimonials with “Steve Tompkins: Tribute to a Fallen REHupan” at, fittingly enough, the REHupa blog.

Steve Tompkins was not forgotten.

Robert E. Howard onced asked his friend, Tevis Clyde Smith, “What shall a man say when a friend has vanished behind the doors of Death? A mere tangle of barren words, only words.”

All of those who posted today, including myself, never met Steve Tompkins personally, though I got damned close in 2006. None of us would presume to say that Steve was our “friend.” However, without a doubt, we all respect his work and regret his absence.  

Are all words spoken in regard to the dearly-departed or much-admired then “barren”? Robert E. Howard seemed to think so when he wrote those lines and sent them to Smith in 1928. Certainly, eulogies and whatnot can never bring back the deceased. All the same, I believe it can be argued that such words keep ones since-passed-on alive in the hearts and minds of those left behind.

In the case of Steve Tompkins, the words he wove with such skill live on here at The Cimmerian and elsewhere. As the tributes below attest, his wit, word-craft and insight are well-remembered. There can be no question that his thoughts on a myriad of subjects have found fertile, not “barren,” ground.

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Friend of The Cimmerian, Scott Oden, wanted to share his thoughts on Steve Tompkins with TC‘s readers. I think they are well worth sharing.
— Deuce Richardson

It has become something of a cliché to say that authors write for an audience of one. Clichéd, but nonetheless true. Most often, this singular audience is the author himself, but some also write for the enjoyment of another, for an individual they hold in esteem: a spouse or loved one, a friend, an old teacher. Sitting metaphorically at the author’s shoulder, this individual becomes their Ideal Reader — a person who, to quote Stephen King’s excellent On Writing, “at various points during the composition of a story, the writer is thinking, ‘I wonder what he/she will think when he/she reads this part?’ ”

Steve Tompkins was my Ideal Reader.

I never got the chance to actually meet Steve, nor were we correspondents. I knew him solely through his dense and erudite essays at The Cimmerian; essays filled with insights and deliciously turned phrases that often forced me to reach for my dictionary. From each one, I gleaned a little something about the kind of man Steve was: passionate, eloquent, and generous in both praise and criticism. The highest laurel I can lay upon his brow is to say that he was a world-class scholar of literature; as a writer in his notice, especially one newly published, that forged in me a desire to bring my best work forward.

I have two moments as a published author that I will never forget. One was hearing that my first novel, Men of Bronze, had earned a starred review from Publishers Weekly; the second was casually clicking the link from my blog to The Cimmerian blog and reading an essay wherein Steve Tompkins recommended my work. It was a heady moment, and I doubt he knew how much his approbation bolstered my self-confidence. I was a writer! And I knew it, by God, because Steve Tompkins said so!

In the end, the Fates decided to cut Steve’s life far too short. It is to my eternal regret that I didn’t take time to send Steve more than a cursory thank-you note; I regret I didn’t express how much I appreciated his kind words, and that his essays were like peripatetic sojourns into the dark heart of the fantastic. I regret I did not write faster, so he could have read The Lion of Cairo.

Most of all, I regret not letting Steve know he was my Ideal Reader.

— Scott Oden

DEUCE ADDS: The blog entries Steve wrote concerning Scott Oden’s novels can be found here and here.

Those TC readers who have bothered to check the links I’ve posted in my ERB-related entries probably already suspect that I hold Bill Hillman’s ERBzine website in high regard. Such suspicions would not be unfounded. Mr. Hillman hath builded a mighty temple to the Lord of Tarzana that hangs amidst the æther in erudite splendor. 

This last January, Bill presented to his readership a most excellent symposium betwixt two major Edgar Rice Burroughs fans: Richard Lupoff and Michael Chabon. Mr. Lupoff, a long-time Friend of The Cimmerian, authored the first serious look at ERB and his works, Master of Adventure, as well as editing ERB volumes for Canaveral Press. Michael Chabon (a past recipient of the Pulitzer Prize) is on record as being a fan of of Robert E. Howard and Fritz Leiber. In his ERBzine interview (conducted by Lupoff), Chabon reveals his life-long love for the fiction of Burroughs.

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Just a few short weeks after Leigh Brackett’s birthday last year, Blue Tyson fired up the finest (and, so far, only) blog/website dedicated to the Queen of Space Opera. Tyson is an indefatigable Aussie sci-fi/fantasy fan whose archival work in his favorite fields of literature became known to yours truly a few years back. This was due to several interesting posts he put up at The Official Robert E. Howard Forum. One was an exhaustive listing of Sword-and-Sorcery heroes; another was a link to Tyson’s cover gallery devoted to the fiction of Leigh Brackett. Now that he’s had a few months to work on his project, I say that Tyson can take a bow and let the Interwebs behold the proud monument he has constructed in honor of Brackett on this, the anniversary of her mortality.

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…and George R.R. Martin is the guest of honor. Details from the official LepreCon 36 website lurk below.

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Lovecraft was no fan of the cinema, and it could be argued that his disdain for moving pictures has been returned by a seemingly endless torrent of laughable and unfaithful film adaptations. Still, HPL was always a champion of the amateur artiste. Keeping that fact in mind, perhaps it is not too far-fetched to think that “Uncle Theobald” (as REH called him) would approve of the ten-minute film recently posted to Youtube which adapts his tale, “The Silver Key.”

One would have to look hard for a more fitting story to commemorate the anniversary of the passage from this mortal coil by the Man from Providence. Lovecraft always seemed fond of the tale, and Robert E. Howard expressed his deep admiration for it at least once. While an “update” in temporal terms, the short film seems to capture a bit of the atmosphere that the Great Old One strove for.